The aesthetics of receiving the poetic narration among tramp poets Written by Taabat Sharan as a model "O Eid, what longing and insomnia you have"

This research deals with the aesthetics of receiving the poetic narration, which is a feature of an era subject to an oral mentality that did not know the textual "stability" known in the written community, which can involve a kind of "subjective" interpretation of texts, as they are retold in the oral community, whether by the poet or by narrators
The Arab biblical Islamic community has accepted this oral mentality and the poetry it produced as a foundational stage that can be culturally built upon, especially since the Holy Qur'an came with a graphic miracle that challenges the Arabs and invites them to turn into a new biblical stage. Hence, the Arabs accepted pre-Islamic poetry with its narration, which are not subject to stability, on the basis that this narration represents a richness in understanding this poetry, because they stem from its nature. And so, they preserved those narratives,
They found in it a fertile field for interpretation, and to direct the meaning that suits their "textual" mentality, which prefers to adopt a single "text" that is open to multiple interpretations.
The dynamism of the poetic novel is reflected in the poem (Taabat Sharan) in the poet's use of an elaborate poetic language, revealing an important category of pre-Islamic society described as tramp, namely: (tramp poets) who consider themselves an important part of literary and cultural history, rejecting social restrictions, characterized by liberation even in language, which revealed to us the unlimited potential of artistic creativity.
The disclosure of the specificity of the novel came through the analysis of the original structures of the commentators as biblical commentators, aware of linguistic inputs, and to show the aesthetic values and expressive advantages created by the movement of the novel, as recipients of the poetic text, and trying to reveal the specificity of the poetry of tramps, and the differences that distinguish them from other pre-Islamic poets.