This paper attempted to study this weakness that the nation is going through today, and the state of cultural and social slackness, and assimilation into the other, which is far away as culture, religion and feelings. The questions that should be kept in mind are: Is openness to the other and being influenced by what he has considered robbery? Is the identity one identity or is it multiple with the multiplicity of ideas and theses? Can the Arabic language associated with the Arab mind, which is open to world cultures, be an influential identity for others? Does the Arab's loss of language identity lose his identity in its general cultural sense? In this research, I will address the idea of language as a national identity that is resistant to the dominant cultural and civilizational globalization, relying on the cultural criticism approach as it is the closest to this study. This paper has attempted to find solutions to the issue of the absence of identity and cultural robbery that we feel today in our great Arab homeland. It represents the most important results of the study, which confirms that language has a major role in protecting identity from the influence of cultural alienation.
hattan, A. (2024). The other and mirrors of identification, language as an identification- study in the light of the cultural criticism. Journal of Qena Faculty of Arts, 33(63), 69-96. doi: 10.21608/qarts.2024.262878.1870
MLA
abdullah hattan. "The other and mirrors of identification, language as an identification- study in the light of the cultural criticism", Journal of Qena Faculty of Arts, 33, 63, 2024, 69-96. doi: 10.21608/qarts.2024.262878.1870
HARVARD
hattan, A. (2024). 'The other and mirrors of identification, language as an identification- study in the light of the cultural criticism', Journal of Qena Faculty of Arts, 33(63), pp. 69-96. doi: 10.21608/qarts.2024.262878.1870
VANCOUVER
hattan, A. The other and mirrors of identification, language as an identification- study in the light of the cultural criticism. Journal of Qena Faculty of Arts, 2024; 33(63): 69-96. doi: 10.21608/qarts.2024.262878.1870