The researcher seeks to touch upon the features of the depiction of the scene in the poetry of Al-Walid bin Uqba, to know the nature of the image, and how the political purpose in it included other purposes, and to know the extent of the poet’s ability to harness time and space to carry his call for revenge for Caliph Othman. The research followed a theoretical path that paved the way for the research, a translation of the poet, an image of the nature of his poetry, and an applied path. The researcher used the integrative approach to reach research results that confirmed the diversity of characters in the poet’s poetry, his influence on place and time, and their influence on him, and to clarify the extent to which the issue of the killing of Caliph Othman dominated the topics and purposes of his poems, and the extent of women’s presence in them, and to sense the limits of dialogue and the poet’s purposes from it. The study concluded that the little of his poetry that we received was for incitement and incitement to seek revenge for Caliph Othman.
elrshedy, M. (2024). Aesthetics of depicting the political scene in the poetry of Al-Walid bin Uqba. Journal of Qena Faculty of Arts, 33(63), 265-292. doi: 10.21608/qarts.2024.280577.1914
MLA
moslm elrshedy. "Aesthetics of depicting the political scene in the poetry of Al-Walid bin Uqba", Journal of Qena Faculty of Arts, 33, 63, 2024, 265-292. doi: 10.21608/qarts.2024.280577.1914
HARVARD
elrshedy, M. (2024). 'Aesthetics of depicting the political scene in the poetry of Al-Walid bin Uqba', Journal of Qena Faculty of Arts, 33(63), pp. 265-292. doi: 10.21608/qarts.2024.280577.1914
VANCOUVER
elrshedy, M. Aesthetics of depicting the political scene in the poetry of Al-Walid bin Uqba. Journal of Qena Faculty of Arts, 2024; 33(63): 265-292. doi: 10.21608/qarts.2024.280577.1914