The process of the analytical statement of structure from unity to multiplicity is a linguistic approach

Document Type : Original Article

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Department of Syntax, Morphology and Prosody. Faculty of Dar Al Uloom, Minia University

Abstract

The morphological balance in the study of the structure of the word (the empowered noun - the verb acting) is based on the duality of the original and the excess, and its purpose is to maintain the structure of the word in certain weights.
Images, so to describe them, seemed flexible, such as: spatial inversion, deletion, and others. They are pictures of the morphological balance through which the ancients stuck to show the original and excess, and the order of the letters of the word or not, and the used or deleted, and the supposed original, in order to preserve the morphological weight that does not change even in the substitution.
Their vision of the morphological balance has taken a different direction, in what was called "appendage" and "balance", through which it shows the awareness of the convergence that they derived between some morphological weights and others, and approved them for both "attachment" and "balance", which may be a call for what can be called "unified weight"; However, if the similarity in some discharges is not in others, or in another form the similarity is incomplete, then the second is a balance to the first, and thus each balance appendix, not every balancer is an appendix.
Looking at these two subjects through the "phonetic and syllabary" scale, it is permissible, according to what is called phonetics, to include them under what may be called "syllabic similarity" and its use in morphological analysis.

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