Document Type : Original Article
Authors
1
Sous vaily University, facility of arts
2
South valley university, Fuclty Of Art, Arabic department.
3
South valley university, Facalty of Art, Arabic department.
Abstract
Binary oppositions in the environment are represented in various ways and forms, such as (life and death), (night and day), (drought and rain), and (justice and injustice), among others. These dualities are fundamental components of life, reflecting contrasting elements that coexist within our world. They connect the environment to the broader universe surrounding humanity, creating a harmonious unity. Dr. Samar El-Dayoub, in her book “Binary Oppositions: Studies in Ancient Arabic Poetry,” discusses these dualities and their significance. In philosophical terms, binary oppositions refer to “pairs of things that have two opposing aspects.” Philosophers have explored various divisions, including social dualities (wealth/poverty) and political dualities (justice/injustice).
As for the acclaimed writer Ibrahim Al-Koni, he frequently employs binary oppositions in his novels, particularly in works like “the Gold Dust,” “The Bleeding of the Stone,” and “Waw Al-Saghirah.” Al-Koni uses this literary device to convey deeper meaning and philosophy, emphasizing the power of contrast between opposing elements. His literary prowess lies in seamlessly weaving these dualities into his narratives.
Through his philosophical and creative perspectives, Al-Koni sheds light on existential themes, freedom, and identity. His exploration of the desert and life within it reveals how circumstances shift from life to death, growth to barrenness, and rain to drought. Within these narratives, individual dualities branch out into multiple facets, such as the duality of (life/death), which encompasses various sub-dualities like (flood/drought), (strength/weakness), and (day/night). Al-Koni skillfully portrays the ever-changing desert environment.
The research also delves into dualities such as “(desert/oasis),” “(good/evil),” “(life/death),” “(human/animal),” “(strength/weakness),” and “(presence/absence), (holy/desecrated).
Al-Koni’s use of binary oppositions extends beyond mere literary technique; it becomes a natural extension of the evolution of traditional Arabic narratives.
In the realm of modern literary criticism, the utilization of binary oppositions allows for boundless intellectual exploration. Critics unravel literary puzzles through the intricate complexities of these opposing concepts, as exemplified in Al-Koni’s writings.
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