Document Type : Original Article
Authors
1
مقيد ومسجل بالدراسات العليا في قسم اللغة العربية - کلية الآداب - جامعة جنوب الوادي
2
أستاذ الأدب والنقد - کلية الآداب - جامعة سوهاج
3
أستاذ الأدب والنقد المساعد - کلية الآداب - جامعة جنوب الوادي
Abstract
This research dealt with the various positions of the Arabs in daily life, and how the primary determinant for them was the poetic text, which may be short or long according to the external influence, and according to the poet’s emotion, which may be intense or concentrated. It comes in the form of a single verse or several short verses that express this position, or it extracts one or more verses from a text, so this verse acts as a proverb and runs the course of a proverb.
The research dealt with this with a critical, analytical, and historical approach that deals with citing the text in various situations in various eras, varying from joy and anguish to softness and distress, strength and weakness.
The research also dealt with rhetorical, musical, and linguistic rhythm in terms of formation, deconstruction, vision, and structure, and in terms of the factors of emergence and its causes, and the factors of eternity and survival and their causes for a text without a text, and a verse without a verse.
To conclude from this that creativity is the creator’s ambition, and the embodiment of this ambition is to penetrate to the roots of creativity, and to elevate the idea and the subject in order to achieve the enjoyment of life experience, which is the poet’s awareness of reality, an accurate understanding of it, and the ability to penetrate to the essence and content of things. The element of improvisation is achieved to occupy a special place and a higher status than the texts of recitation and revision, and for this reason, the immortality of the text is based on all these techniques and techniques that the creator chooses to control the invisible subject of the vision, and to shape or embody it in order to reach it, and from here the term formation comes as a complement to the term vision in research. It is what makes the vision available to the recipient’s awareness and understanding.
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