Vision and Formation in the Poetic Segment and the Single Line

Document Type : Original Article

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1 مقيد ومسجل بالدراسات العليا في قسم اللغة العربية - کلية الآداب - جامعة جنوب الوادي

2 أستاذ الأدب والنقد -كلية الآداب – جامعة سوهاج

3 أستاذ الأدب والنقد المساعد -كلية الآداب جامعة جنوب الوادي

Abstract

If the piece and the single line contain what they contain of great concentration and intensity, they are at the same time like a literary surge that discharges its charge like a piercing meteor, causing its effect for a period of time, so "the textuality as a linguistic structure tends to flow, so that sometimes it does not allow the recipient to catch his breath, and in the case of flow, scrutiny is absent; so the pure language is mixed with the communicative, and some texts go in the opposite direction, so the communicative language is mixed with the pure, and this or that will not shake the textuality in any way as long as the language is able -
Generally to perform its assigned function. It is a poetic stealth employed by the creator at the level of inner contemplation; so that the recipient of the text turns from a recipient to a student, struggling to reach the furthest point of the text, and he has a vague feeling that he has not reached the intended meaning of the text And his intention is still. He is always haunted by the obsession that the text has withheld some of its secrets from him, or perhaps his ambition has fallen short of the immersive follow-up of what the poetic piece and the single verse contain of magic that makes one feel that what is unspoken in them has a broader meaning than what is spoken.

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