Pragmatic analysis of the historical theatrical discourse according to “Nur Tabarov” The play "Charkh Jardan" has a critical approach

Document Type : Original Article

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Faclty of art svu

Abstract

          This study refers to a modernist theory from the theories of textual and linguistic criticism, which became a natural extension of the science of semiotics. From the outside, a distinction was made between what is known as the conceptual signification, versus the attestation signification, and from here came the nature of the pragmatic lesson of a text from the contemporary Tajik theater. The playwright is the product of this philosophical discourse on the movement of historical identity. The study used the pragmatic framework to analyze this text that bears Those historical philosophical connotations that the writer wants to talk about, highlighting their aesthetics in verbal action, achievement in speech, and influence in speech. Through the indicative and referral of the active pronouns in the text and the conceptuality of time and place.

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