Illustrated Models between Ahmed Khaled Tawfiq and David Grosman (Selected Models)

Document Type : Original Article

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1 مقيد ومسجل بالدراسات العليا في قسم اللغة العربية كلية الآداب – جامعة جنوب الوادي

2 أستاذ الأدب والنقد كلية الآداب - جامعة جنوب الوادي

3 مدرس الأدب العبري كلية الآداب - جامعة جنوب الوادي

Abstract

The modern novelist relies on the formation of her narrative units in light of the means offered by the literary and artistic genre through which she transcends the fixed and known standards of style, as she has come to organize her expressive and rhetorical systems in an organization that takes away the effectiveness of dramatic, narrative and cinematic creativity in order to expand their aesthetic and semantic effectiveness.
If we want to study the language of narrative stylistically, we must pause about the methods formed in the novel and know what they perform at the creative level within the expressive and artistic path, because the novel is a linguistic system that consists of a group of systems that depend on the principles of refinement and distribution, which are two pillar components of the formation process. The stylistic nature of the text, as the factors determining the style “are not only dependent on the speaker, but are also subject to the distinctive characteristics of literary genres,” which are characteristics taken from the generally recognized foundations of those genres.
 

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